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used in The Iliad by Homer - (translated by: Pope)

33 uses
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1  —1 use as in:
don't be so critical
finding fault and telling others; or tending to have unfavorable opinions
  • It argued a new way of looking at the old epical treasures of the people as well as a thirst for new poetical effect; and the men who stood forward in it, may well be considered as desirous to study, and competent to criticize, from their own individual point of view, the written words of the Homeric rhapsodies, just as we are told that Kallinus both noticed and eulogized the Thebais as the production of Homer.
    Introduction (49% in)

There are no more uses of "critical" flagged with this meaning in The Iliad by Homer - (translated by: Pope).

Typical Usage  (best examples)
?  —32 uses
exact meaning not specified
  • See the German critics quoted by Arnold.
    Footnotes (17% in)
  • Human nature, viewed under an induction of extended experience, is the best help to the criticism of human history.
    Introduction (3% in)
  • The personality of Shakespere is, perhaps, the only thing in which critics will allow us to believe without controversy; but upon everything else, even down to the authorship of plays, there is more or less of doubt and uncertainty.
    Introduction (5% in)
  • Such are the words in which one of the most judicious German critics has eloquently described the uncertainty in which the whole of the Homeric question is involved.
    Introduction (29% in)
  • (16) From this criticism, which shows as much insight into the depths of human nature as into the minute wire-drawings of scholastic investigation, let us pass on to the main question at issue.
    Introduction (30% in)
  • — " 'The critic eye—that microscope of wit Sees hairs and pores, examines bit by bit, How parts relate to parts, or they to whole The body's harmony, the beaming soul, Are things which Kuster, Burmann, Wasse, shall see, When man's whole frame is obvious to a flea.'
    Introduction (34% in)
  • The grave and cautious Thucydides quoted without hesitation the Hymn to Apollo,(20) the authenticity of which has been already disclaimed by modern critics.
    Introduction (34% in)
  • The loss of the digamma, that crux of critics, that quicksand upon which even the acumen of Bentley was shipwrecked, seems to prove beyond a doubt, that the pronunciation of the Greek language had undergone a considerable change.
    Introduction (44% in)
  • The friends or literary employes of Peisistratus must have found an Iliad that was already ancient, and the silence of the Alexandrine critics respecting the Peisistratic "recension," goes far to prove, that, among the numerous manuscripts they examined, this was either wanting, or thought unworthy of attention.
    Introduction (61% in)
  • To deny that many corruptions and interpolations disfigure them, and that the intrusive hand of the poetasters may here and there have inflicted a wound more serious than the negligence of the copyist, would be an absurd and captious assumption, but it is to a higher criticism that we must appeal, if we would either understand or enjoy these poems.
    Introduction (72% in)
  • The minutiae of verbal criticism I am far from seeking to despise.
    Introduction (73% in)
  • Moreover, those who are most exact in laying down rules of verbal criticism and interpretation, are often least competent to carry out their own precepts.
    Introduction (74% in)
  • If we compare the theories of Knight, Wolf, Lachmann, and others, we shall feel better satisfied of the utter uncertainty of criticism than of the apocryphal position of Homer.
    Introduction (76% in)
  • Sensible as I am of the difficulty of disproving a negative, and aware as I must be of the weighty grounds there are for opposing my belief, it still seems to me that the Homeric question is one that is reserved for a higher criticism than it has often obtained.
    Introduction (84% in)
  • obviously disturbed and corrupt to a great degree; it is commonly said to have been a juvenile essay of Homer's genius; others have attributed it to the same Pigrees, mentioned above, and whose reputation for humour seems to have invited the appropriation of any piece of ancient wit, the author of which was uncertain; so little did the Greeks, before the age of the Ptolemies, know or care about that department of criticism employed in determining the genuineness of ancient writings.
    Introduction (92% in)
  • Having some little time since translated all the works of Homer for another publisher, I might have brought a large amount of accumulated matter, sometimes of a critical character, to bear upon the text.
    Introduction (99% in)
  • And, perhaps, the reason why common critics are inclined to prefer a judicious and methodical genius to a great and fruitful one, is, because they find it easier for themselves to pursue their observations through a uniform and bounded walk of art, than to comprehend the vast and various extent of nature.
    Preface (2% in)
  • Even in works where all those are imperfect or neglected, this can overpower criticism, and make us admire even while we disapprove.
    Preface (6% in)
  • The beauty of his numbers is allowed by the critics to be copied but faintly by Virgil himself, though they are so just as to ascribe it to the nature of the Latin tongue: indeed the Greek has some advantages both from the natural sound of its words, and the turn and cadence of its verse, which agree with the genius of no other language.
    Preface (37% in)
  • If the Grecian poet has not been so frequently celebrated on this account as the Roman, the only reason is, that fewer critics have understood one language than the other.
    Preface (38% in)
  • Among these we may reckon some of his marvellous fictions, upon which so much criticism has been spent, as surpassing all the bounds of probability.
    Preface (46% in)
  • On the other side, I would not be so delicate as those modern critics, who are shocked at the servile offices and mean employments in which we sometimes see the heroes of Homer engaged.
    Preface (51% in)
  • Many have been occasioned by an injudicious endeavour to exalt Virgil; which is much the same, as if one should think to raise the superstructure by undermining the foundation: one would imagine, by the whole course of their parallels, that these critics never so much as heard of Homer's having written first; a consideration which whoever compares these two poets ought to have always in his eye.
    Preface (57% in)
  • A cooler judgment may commit fewer faults, and be more approved in the eyes of one sort of critics: but that warmth of fancy will carry the loudest and most universal applauses which holds the heart of a reader under the strongest enchantment.
    Preface (62% in)
  • Where his diction is bold and lofty, let us raise ours as high as we can; but where his is plain and humble, we ought not to be deterred from imitating him by the fear of incurring the censure of a mere English critic.
    Preface (68% in)
  • His poetry, as well as Ogilby's, is too mean for criticism.
    Preface (86% in)
  • I must also acknowledge, with infinite pleasure, the many friendly offices, as well as sincere criticisms, of Mr. Congreve, who had led me the way in translating some parts of Homer.
    Preface (93% in)
  • ...hard to say whether the advancement of the polite arts is more owing to his generosity or his example: that such a genius as my Lord Bolingbroke, not more distinguished in the great scenes of business, than in all the useful and entertaining parts of learning, has not refused to be the critic of these sheets, and the patron of their writer: and that the noble author of the tragedy of "Heroic Love" has continued his partiality to me, from my writing pastorals to my attempting the Iliad.
    Preface (96% in)
  • The fate which awaits a presumptuous critic, even where his virulent reproaches are substantially well-founded, is plainly set forth in the treatment of Thersites; while the unpopularity of such a character is attested even more by the excessive pains which Homer takes to heap upon him repulsive personal deformities, than by the chastisement of Odysseus he is lame, bald, crook-backed, of misshapen head, and squinting vision.
    Footnotes (30% in)
  • 91 Those critics who have maintained that the "Catalogue of Ships" is an interpolation, should have paid more attention to these lines, which form a most natural introduction to their enumeration.
    Footnotes (31% in)
  • Yet the subsiding of the flood at the critical moment when the hero's destruction appeared imminent, might, by a slight extension of the figurative parallel, be ascribed to a god symbolic of the influences opposed to all atmospheric moisture.
    Footnotes (88% in)
  • Quinctilian has taken notice of the following speech of Priam, the rhetorical artifice of which is so transcendent, that if genius did not often, especially in oratory, unconsciously fulfil the most subtle precepts of criticism, we might be induced, on this account alone, to consider the last book of the Iliad as what is called spurious, in other words, of later date than the rest of the poem.
    Footnotes (96% in)

There are no more uses of "critical" in The Iliad by Homer - (translated by: Pope).

Typical Usage  (best examples)
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