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used in The Mill on the Floss

7 uses
  • She crept from behind her tub into the twilight of the long attic, but just then she heard a quick foot-step on the stairs.
    1.5 — Book 1 Chapter 5 — Tom Comes Home (52% in)
  • As for Maggie, she was peculiarly depressed this morning; she had been called up, after brief rest, at three o'clock, and had that strange dreamy weariness which comes from watching in a sick-room through the chill hours of early twilight and breaking day,—in which the outside day-light life seems to have no importance, and to be a mere margin to the hours in the darkened chamber.
    3.3 — Book 3 Chapter 3 — The Family Council (41% in)
  • With all the hurry of an imagination that could never rest in the present, she sat in the deepening twilight forming plans of self-humiliation and entire devotedness; and in the ardor of first discovery, renunciation seemed to her the entrance into that satisfaction which she had so long been craving in vain.
    4.3 — Book 4 Chapter 3 — A Voice from the Past (71% in)
  • ...saw it was the Virgin seated in St. Ogg's boat, and it came nearer and nearer, till they saw the Virgin was Lucy and the boatman was Philip,—no, not Philip, but her brother, who rowed past without looking at her; and she rose to stretch out her arms and call to him, and their own boat turned over with the movement, and they began to sink, till with one spasm of dread she seemed to awake, and find she was a child again in the parlor at evening twilight, and Tom was not really angry.
    6.14 — Book 6 Chapter 14 — Waking (5% in)
  • Only to have seen her without speaking would have been some relief; for Maggie was haunted by a face cruel in its very gentleness; a face that had been turned on hers with glad, sweet looks of trust and love from the twilight time of memory; changed now to a sad and weary face by a first heart-stroke.
    7.4 — Book 7 Chapter 4 — Maggie and Lucy (65% in)
  • She sat without candle in the twilight, with the window wide open toward the river; the sense of oppressive heat adding itself undistinguishably to the burthen of her lot.
    7.4 — Book 7 Chapter 4 — Maggie and Lucy (72% in)
  • Onward she paddled and rowed by turns in the growing twilight; her wet clothes clung round her, and her streaming hair was dashed about by the wind, but she was hardly conscious of any bodily sensations,—except a sensation of strength, inspired by mighty emotion.
    7.5 — Book 7 Chapter 5 — The Last Conflict (64% in)

There are no more uses of "twilight" in The Mill on the Floss.

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