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used in Middlemarch

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  • She lapsed into her inarticulate sounds, and unconsciously drew forth the article which she was fingering.
    Book 8 — Sunset and Sunrise (76% in)
  • Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self.
    Prelude (35% in)
  • Celia was conscious of some mental strength when she really applied herself to argument.
    Book 1 — Miss Brooke (5% in)
  • Celia's consciousness told her that she had not been at all in the wrong: it was quite natural and justifiable that she should have asked that question, and she repeated to herself that Dorothea was inconsistent: either she should have taken her full share of the jewels, or, after what she had said, she should have renounced them altogether.
    Book 1 — Miss Brooke (7% in)
  • But there was nothing of an ascetic's expression in her bright full eyes, as she looked before her, not consciously seeing, but absorbing into the intensity of her mood, the solemn glory of the afternoon with its long swathes of light between the far-off rows of limes, whose shadows touched each other.
    Book 1 — Miss Brooke (18% in)
  • Mr. Casaubon seemed even unconscious that trivialities existed, and never handed round that small-talk of heavy men which is as acceptable as stale bride-cake brought forth with an odor of cupboard.
    Book 1 — Miss Brooke (23% in)
  • I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you.
    Book 1 — Miss Brooke (31% in)
  • She could not pray: under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own.
    Book 1 — Miss Brooke (33% in)
  • He was being unconsciously wrought upon by the charms of a nature which was entirely without hidden calculations either for immediate effects or for remoter ends.
    Book 1 — Miss Brooke (39% in)
  • "I don't pretend to argue with a lady on politics," said Mr. Brooke, with an air of smiling indifference, but feeling rather unpleasantly conscious that this attack of Mrs. Cadwallader's had opened the defensive campaign to which certain rash steps had exposed him.
    Book 1 — Miss Brooke (41% in)
  • Her life was rurally simple, quite free from secrets either foul, dangerous, or otherwise important, and not consciously affected by the great affairs of the world.
    Book 1 — Miss Brooke (46% in)
  • Of course the forked lightning seemed to pass through him when he first approached her, and he remained conscious throughout the interview of hiding uneasiness; but, good as he was, it must be owned that his uneasiness was less than it would have been if he had thought his rival a brilliant and desirable match.
    Book 1 — Miss Brooke (53% in)
  • Suppose we turn from outside estimates of a man, to wonder, with keener interest, what is the report of his own consciousness about his doings or capacity: with what hindrances he is carrying on his daily labors; what fading of hopes, or what deeper fixity of self-delusion the years are marking off within him; and with what spirit he wrestles against universal pressure, which will one day be too heavy for him, and bring his heart to its final pause.
    Book 1 — Miss Brooke (68% in)
  • Thus in these brief weeks Dorothea's joyous grateful expectation was unbroken, and however her lover might occasionally be conscious of flatness, he could never refer it to any slackening of her affectionate interest.
    Book 1 — Miss Brooke (70% in)
  • For in that part of the country, before reform had done its notable part in developing the political consciousness, there was a clearer distinction of ranks and a dimmer distinction of parties; so that Mr. Brooke's miscellaneous invitations seemed to belong to that general laxity which came from his inordinate travel and habit of taking too much in the form of ideas.
    Book 1 — Miss Brooke (72% in)
  • The remark was taken up by Mr. Chichely, a middle-aged bachelor and coursing celebrity, who had a complexion something like an Easter egg, a few hairs carefully arranged, and a carriage implying the consciousness of a distinguished appearance.
    Book 1 — Miss Brooke (72% in)
  • Lydgate, in fact, was already conscious of being fascinated by a woman strikingly different from Miss Brooke: he did not in the least suppose that he had lost his balance and fallen in love, but he had said of that particular woman, "She is grace itself; she is perfectly lovely and accomplished.
    Book 1 — Miss Brooke (77% in)
  • Old provincial society had its share of this subtle movement: had not only its striking downfalls, its brilliant young professional dandies who ended by living up an entry with a drab and six children for their establishment, but also those less marked vicissitudes which are constantly shifting the boundaries of social intercourse, and begetting new consciousness of interdependence.
    Book 1 — Miss Brooke (78% in)
  • But he was conscious of having spoken with some confidence (perhaps with more than he exactly remembered) about his prospect of getting Featherstone's land as a future means of paying present debts.
    Book 1 — Miss Brooke (90% in)
  • Every nerve and muscle in Rosamond was adjusted to the consciousness that she was being looked at.
    Book 1 — Miss Brooke (97% in)
  • The difficult task of knowing another soul is not for young gentlemen whose consciousness is chiefly made up of their own wishes.
    Book 1 — Miss Brooke (99% in)
  • Such joys are reserved for conscious merit.
    Book 2 — Old and Young (1% in)
  • The old gentleman was staying in bed on account of the cold weather, and as Mary Garth was not to be seen in the sitting-room, Fred went up-stairs immediately and presented the letter to his uncle, who, propped up comfortably on a bed-rest, was not less able than usual to enjoy his consciousness of wisdom in distrusting and frustrating mankind.
    Book 2 — Old and Young (9% in)
  • Here the old man's eyes gleamed with a curiously mingled satisfaction in the consciousness that this smart young fellow relied upon him, and that the smart young fellow was rather a fool for doing so.
    Book 2 — Old and Young (12% in)
  • The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardor in generous unpaid toil cooled as imperceptibly as the ardor of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly.
    Book 2 — Old and Young (21% in)
  • _" Lydgate stood mute, and unconsciously pressed his hat on while he looked at her.
    Book 2 — Old and Young (30% in)
  • ...finds itself able and at ease: he was enamoured of that arduous invention which is the very eye of research, provisionally framing its object and correcting it to more and more exactness of relation; he wanted to pierce the obscurity of those minute processes which prepare human misery and joy, those invisible thoroughfares which are the first lurking-places of anguish, mania, and crime, that delicate poise and transition which determine the growth of happy or unhappy consciousness.
    Book 2 — Old and Young (41% in)
  • His looks and words meant more to her than other men's, because she cared more for them: she thought of them diligently, and diligently attended to that perfection of appearance, behavior, sentiments, and all other elegancies, which would find in Lydgate a more adequate admirer than she had yet been conscious of.
    Book 2 — Old and Young (43% in)
  • For Rosamond, though she would never do anything that was disagreeable to her, was industrious; and now more than ever she was active in sketching her landscapes and market-carts and portraits of friends, in practising her music, and in being from morning till night her own standard of a perfect lady, having always an audience in her own consciousness, with sometimes the not unwelcome addition of a more variable external audience in the numerous visitors of the house.
    Book 2 — Old and Young (44% in)
  • Perhaps she was conscious of being tempted to steal from those who had much that she might give to those who had nothing, and carried in her conscience the guilt of that repressed desire.
    Book 2 — Old and Young (45% in)
  • The Vicar's frankness seemed not of the repulsive sort that comes from an uneasy consciousness seeking to forestall the judgment of others, but simply the relief of a desire to do with as little pretence as possible.
    Book 2 — Old and Young (49% in)
  • In these matters he was conscious that his life would bear the closest scrutiny; and perhaps the consciousness encouraged a little defiance towards the critical strictness of persons whose celestial intimacies seemed not to improve their domestic manners, and whose lofty aims were not needed to account for their actions.
    Book 2 — Old and Young (53% in)
  • In these matters he was conscious that his life would bear the closest scrutiny; and perhaps the consciousness encouraged a little defiance towards the critical strictness of persons whose celestial intimacies seemed not to improve their domestic manners, and whose lofty aims were not needed to account for their actions.
    Book 2 — Old and Young (53% in)
  • Moreover, Lydgate did not like the consciousness that in voting for Tyke he should be voting on the side obviously convenient for himself.
    Book 2 — Old and Young (56% in)
  • He was really uncertain whether Tyke were not the more suitable candidate, and yet his consciousness told him that if he had been quite free from indirect bias he should have voted for Mr. Farebrother.
    Book 2 — Old and Young (63% in)
  • But she became conscious of the two strangers who suddenly paused as if to contemplate the Cleopatra, and, without looking at them, immediately turned away to join a maid-servant and courier who were loitering along the hall at a little distance off.
    Book 2 — Old and Young (65% in)
  • There lies antique beauty, not corpse-like even in death, but arrested in the complete contentment of its sensuous perfection: and here stands beauty in its breathing life, with the consciousness of Christian centuries in its bosom.
    Book 2 — Old and Young (65% in)
  • He was conscious of being irritated by ridiculously small causes, which were half of his own creation.
    Book 2 — Old and Young (67% in)
  • In Mr. Casaubon's ear, Dorothea's voice gave loud emphatic iteration to those muffled suggestions of consciousness which it was possible to explain as mere fancy, the illusion of exaggerated sensitiveness: always when such suggestions are unmistakably repeated from without, they are resisted as cruel and unjust.
    Book 2 — Old and Young (76% in)
  • But in Dorothea's mind there was a current into which all thought and feeling were apt sooner or later to flow—the reaching forward of the whole consciousness towards the fullest truth, the least partial good.
    Book 2 — Old and Young (79% in)
  • As Dorothea's eyes were turned anxiously on her husband she was perhaps not insensible to the contrast, but it was only mingled with other causes in making her more conscious of that new alarm on his behalf which was the first stirring of a pitying tenderness fed by the realities of his lot and not by her own dreams.
    Book 2 — Old and Young (85% in)
  • Today she had begun to see that she had been under a wild illusion in expecting a response to her feeling from Mr. Casaubon, and she had felt the waking of a presentiment that there might be a sad consciousness in his life which made as great a need on his side as on her own.
    Book 2 — Old and Young (86% in)
  • Dorothea's timidity was due to an indistinct consciousness that she was in the strange situation of consulting a third person about the adequacy of Mr. Casaubon's learning.
    Book 2 — Old and Young (96% in)
  • "You are a poem—and that is to be the best part of a poet—what makes up the poet's consciousness in his best moods," said Will, showing such originality as we all share with the morning and the spring-time and other endless renewals.
    Book 2 — Old and Young (98% in)
  • There was a certain liquid brightness in her eyes, and Will was conscious that his own were obeying a law of nature and filling too.
    Book 2 — Old and Young (99% in)
  • Even when Caleb Garth was prosperous, the Vincys were on condescending terms with him and his wife, for there were nice distinctions of rank in Middlemarch; and though old manufacturers could not any more than dukes be connected with none but equals, they were conscious of an inherent social superiority which was defined with great nicety in practice, though hardly expressible theoretically.
    Book 3 — Waiting for Death (3% in)
  • Either because his interest in this work thrust the incident of the signature from his memory, or for some reason of which Caleb was more conscious, Mrs. Garth remained ignorant of the affair.
    Book 3 — Waiting for Death (6% in)
  • Fred was conscious that he would have been yet more severely dealt with if his family as well as himself had not secretly regarded him as Mr. Featherstone's heir; that old gentleman's pride in him, and apparent fondness for him, serving in the stead of more exemplary conduct—just as when a youthful nobleman steals jewellery we call the act kleptomania, speak of it with a philosophical smile, and never think of his being sent to the house of correction as if he were a ragged boy who had...
    Book 3 — Waiting for Death (6% in)
  • In fact, tacit expectations of what would be done for him by uncle Featherstone determined the angle at which most people viewed Fred Vincy in Middlemarch; and in his own consciousness, what uncle Featherstone would do for him in an emergency, or what he would do simply as an incorporated luck, formed always an immeasurable depth of aerial perspective.
    Book 3 — Waiting for Death (6% in)
  • Most of those who saw Fred riding out of Middlemarch in company with Bambridge and Horrock, on his way of course to Houndsley horse-fair, thought that young Vincy was pleasure-seeking as usual; and but for an unwonted consciousness of grave matters on hand, he himself would have had a sense of dissipation, and of doing what might be expected of a gay young fellow.
    Book 3 — Waiting for Death (9% in)
  • "I'm quite satisfied with his paces, I know," said Fred, who required all the consciousness of being in gay company to support him; "I say his trot is an uncommonly clean one, eh, Horrock?"
    Book 3 — Waiting for Death (12% in)
  • Also, it must be admitted that Mrs. Garth was a trifle too emphatic in her resistance to what she held to be follies: the passage from governess into housewife had wrought itself a little too strongly into her consciousness, and she rarely forgot that while her grammar and accent were above the town standard, she wore a plain cap, cooked the family dinner, and darned all the stockings.
    Book 3 — Waiting for Death (17% in)
  • Fred turned round and hurried out of the room, conscious that he was getting rather womanish, and feeling confusedly that his being sorry was not of much use to the Garths.
    Book 3 — Waiting for Death (24% in)
  • But as he rode home, he began to be more conscious of being ill, than of being melancholy.
    Book 3 — Waiting for Death (31% in)
  • But for his insistence she would have taken no rest: her brightness was all bedimmed; unconscious of her costume which had always been so fresh and gay, she was like a sick bird with languid eye and plumage ruffled, her senses dulled to the sights and sounds that used most to interest her.
    Book 3 — Waiting for Death (40% in)
  • Morning and evening he was at Mr. Vincy's, and gradually the visits became cheerful as Fred became simply feeble, and lay not only in need of the utmost petting but conscious of it, so that Mrs. Vincy felt as if, after all, the illness had made a festival for her tenderness.
    Book 3 — Waiting for Death (41% in)
  • Lydgate began to feel this sort of consciousness unpleasant and one day looked down, or anywhere, like an ill-worked puppet.
    Book 3 — Waiting for Death (42% in)
  • But this turned out badly: the next day, Rosamond looked down, and the consequence was that when their eyes met again, both were more conscious than before.
    Book 3 — Waiting for Death (42% in)
  • Whereas Lydgate was always listened to, bore himself with the careless politeness of conscious superiority, and seemed to have the right clothes on by a certain natural affinity, without ever having to think about them.
    Book 3 — Waiting for Death (44% in)
  • He was often invited to the Bulstrodes'; but the girls there were hardly out of the schoolroom; and Mrs. Bulstrode's naive way of conciliating piety and worldliness, the nothingness of this life and the desirability of cut glass, the consciousness at once of filthy rags and the best damask, was not a sufficient relief from the weight of her husband's invariable seriousness.
    Book 3 — Waiting for Death (45% in)
  • As she laid the cameo-cases on the table in the bow-window, she unconsciously kept her hands on them, immediately absorbed in looking out on the still, white enclosure which made her visible world.
    Book 3 — Waiting for Death (50% in)
  • In spite of the blinking eyes and white moles objectionable to Celia, and the want of muscular curve which was morally painful to Sir James, Mr. Casaubon had an intense consciousness within him, and was spiritually a-hungered like the rest of us.
    Book 3 — Waiting for Death (55% in)
  • Casaubon was nervously conscious that he was expected to manifest a powerful mind.
    Book 3 — Waiting for Death (56% in)
  • Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying.
    Book 3 — Waiting for Death (56% in)
  • It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self—never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.
    Book 3 — Waiting for Death (57% in)
  • To this mental estate mapped out a quarter of a century before, to sensibilities thus fenced in, Mr. Casaubon had thought of annexing happiness with a lovely young bride; but even before marriage, as we have seen, he found himself under a new depression in the consciousness that the new bliss was not blissful to him.
    Book 3 — Waiting for Death (58% in)
  • For years after Lydgate remembered the impression produced in him by this involuntary appeal—this cry from soul to soul, without other consciousness than their moving with kindred natures in the same embroiled medium, the same troublous fitfully illuminated life.
    Book 3 — Waiting for Death (68% in)
  • Solomon's Proverbs, I think, have omitted to say, that as the sore palate findeth grit, so an uneasy consciousness heareth innuendoes.
    Book 3 — Waiting for Death (77% in)
  • Seated in a famous arm-chair and in his best suit, constantly within sight of good cheer, he had a comfortable consciousness of being on the premises, mingled with fleeting suggestions of Sunday and the bar at the Green Man; and he informed Mary Garth that he should not go out of reach of his brother Peter while that poor fellow was above ground.
    Book 3 — Waiting for Death (84% in)
  • In chuckling over the vexations he could inflict by the rigid clutch of his dead hand, he inevitably mingled his consciousness with that livid stagnant presence, and so far as he was preoccupied with a future life, it was with one of gratification inside his coffin.
    Book 4 — Three Love Problems (1% in)
  • Scenes which make vital changes in our neighbors' lot are but the background of our own, yet, like a particular aspect of the fields and trees, they become associated for us with the epochs of our own history, and make a part of that unity which lies in the selection of our keenest consciousness.
    Book 4 — Three Love Problems (3% in)
  • The two cousins were elderly men from Brassing, one of them conscious of claims on the score of inconvenient expense sustained by him in presents of oysters and other eatables to his rich cousin Peter; the other entirely saturnine, leaning his hands and chin on a stick, and conscious of claims based on no narrow performance but on merit generally: both blameless citizens of Brassing, who wished that Jonah Featherstone did not live there.
    Book 4 — Three Love Problems (8% in)
  • The two cousins were elderly men from Brassing, one of them conscious of claims on the score of inconvenient expense sustained by him in presents of oysters and other eatables to his rich cousin Peter; the other entirely saturnine, leaning his hands and chin on a stick, and conscious of claims based on no narrow performance but on merit generally: both blameless citizens of Brassing, who wished that Jonah Featherstone did not live there.
    Book 4 — Three Love Problems (8% in)
  • Perhaps the person who felt the most throbbing excitement at this moment was Mary Garth, in the consciousness that it was she who had virtually determined the production of this second will, which might have momentous effects on the lot of some persons present.
    Book 4 — Three Love Problems (12% in)
  • Mary too was agitated; she was conscious that fatally, without will of her own, she had perhaps made a great difference to Fred's lot.
    Book 4 — Three Love Problems (17% in)
  • This was a not infrequent procedure with Mr. Vincy—to be rash in jovial assent, and on becoming subsequently conscious that he had been rash, to employ others in making the offensive retractation.
    Book 4 — Three Love Problems (20% in)
  • She was no longer struggling against the perception of facts, but adjusting herself to their clearest perception; and now when she looked steadily at her husband's failure, still more at his possible consciousness of failure, she seemed to be looking along the one track where duty became tenderness.
    Book 4 — Three Love Problems (41% in)
  • In his inmost soul Will was conscious of wishing to tell Dorothea what was rather new even in his own construction of things—namely, that Mr. Casaubon had never done more than pay a debt towards him.
    Book 4 — Three Love Problems (42% in)
  • There was a gentleness in his tone which came from the unutterable contentment of perceiving—what Dorothea was hardly conscious of—that she was travelling into the remoteness of pure pity and loyalty towards her husband.
    Book 4 — Three Love Problems (43% in)
  • To his preoccupied mind all subjects were to be approached gently, and she had never since his illness lost from her consciousness the dread of agitating him.
    Book 4 — Three Love Problems (49% in)
  • Alarm at the possible effect on himself of her husband's strongly manifested anger, would have checked any expression of her own resentment, even if she had been quite free from doubt and compunction under the consciousness that there might be some justice in his last insinuation.
    Book 4 — Three Love Problems (50% in)
  • But nature has sometimes made sad oversights in carrying out her intention; as in the case of good Mr. Brooke, whose masculine consciousness was at this moment in rather a stammering condition under the eloquence of his niece.
    Book 4 — Three Love Problems (63% in)
  • "Dagley, my good fellow," began Mr. Brooke, conscious that he was going to be very friendly about the boy.
    Book 4 — Three Love Problems (69% in)
  • "Mary would not be happy without doing her duty," said Mrs. Garth, magisterially, conscious of having done her own.
    Book 4 — Three Love Problems (73% in)
  • It is true that this last might be called his central ambition; but there are some kinds of authorship in which by far the largest result is the uneasy susceptibility accumulated in the consciousness of the author—one knows of the river by a few streaks amid a long-gathered deposit of uncomfortable mud.
    Book 4 — Three Love Problems (89% in)
  • Their most characteristic result was not the "Key to all Mythologies," but a morbid consciousness that others did not give him the place which he had not demonstrably merited—a perpetual suspicious conjecture that the views entertained of him were not to his advantage—a melancholy absence of passion in his efforts at achievement, and a passionate resistance to the confession that he had achieved nothing.
    Book 4 — Three Love Problems (89% in)
  • To his suspicious interpretation Dorothea's silence now was a suppressed rebellion; a remark from her which he had not in any way anticipated was an assertion of conscious superiority; her gentle answers had an irritating cautiousness in them; and when she acquiesced it was a self-approved effort of forbearance.
    Book 4 — Three Love Problems (91% in)
  • She is ready prey to any man who knows how to play adroitly either on her affectionate ardor or her Quixotic enthusiasm; and a man stands by with that very intention in his mind—a man with no other principle than transient caprice, and who has a personal animosity towards me—I am sure of it—an animosity which is fed by the consciousness of his ingratitude, and which he has constantly vented in ridicule of which I am as well assured as if I had heard it.
    Book 4 — Three Love Problems (93% in)
  • Lydgate, conscious of an energetic frame in its prime, felt some compassion when the figure which he was likely soon to overtake turned round, and in advancing towards him showed more markedly than ever the signs of premature age—the student's bent shoulders, the emaciated limbs, and the melancholy lines of the mouth.
    Book 4 — Three Love Problems (94% in)
  • When the commonplace "We must all die" transforms itself suddenly into the acute consciousness "I must die—and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first.
    Book 4 — Three Love Problems (96% in)
  • They were both tall, and their eyes were on a level; but imagine Rosamond's infantine blondness and wondrous crown of hair-plaits, with her pale-blue dress of a fit and fashion so perfect that no dressmaker could look at it without emotion, a large embroidered collar which it was to be hoped all beholders would know the price of, her small hands duly set off with rings, and that controlled self-consciousness of manner which is the expensive substitute for simplicity.
    Book 5 — The Dead Hand (2% in)
  • Her mind was evidently arrested by some sudden thought, and she left the room hardly conscious of what was immediately around her—hardly conscious that Will opened the door for her and offered her his arm to lead her to the carriage.
    Book 5 — The Dead Hand (3% in)
  • Her mind was evidently arrested by some sudden thought, and she left the room hardly conscious of what was immediately around her—hardly conscious that Will opened the door for her and offered her his arm to lead her to the carriage.
    Book 5 — The Dead Hand (3% in)
  • Will was conscious that he should not have been at Middlemarch but for Dorothea; and yet his position there was threatening to divide him from her with those barriers of habitual sentiment which are more fatal to the persistence of mutual interest than all the distance between Rome and Britain.
    Book 5 — The Dead Hand (4% in)
  • When one sees a perfect woman, one never thinks of her attributes—one is conscious of her presence.
    Book 5 — The Dead Hand (5% in)
  • In the case of a more conspicuous patient, Mr. Borthrop Trumbull, Lydgate was conscious of having shown himself something better than an every-day doctor, though here too it was an equivocal advantage that he won.
    Book 5 — The Dead Hand (20% in)
  • A man conscious of enthusiasm for worthy aims is sustained under petty hostilities by the memory of great workers who had to fight their way not without wounds, and who hover in his mind as patron saints, invisibly helping.
    Book 5 — The Dead Hand (26% in)
  • While Lydgate, safely married and with the Hospital under his command, felt himself struggling for Medical Reform against Middlemarch, Middlemarch was becoming more and more conscious of the national struggle for another kind of Reform.
    Book 5 — The Dead Hand (28% in)
  • Will was not displeased with that complimentary comparison, even from Mr. Brooke; for it is a little too trying to human flesh to be conscious of expressing one's self better than others and never to have it noticed, and in the general dearth of admiration for the right thing, even a chance bray of applause falling exactly in time is rather fortifying.
    Book 5 — The Dead Hand (30% in)
  • As Lydgate had said of him, he was a sort of gypsy, rather enjoying the sense of belonging to no class; he had a feeling of romance in his position, and a pleasant consciousness of creating a little surprise wherever he went.
    Book 5 — The Dead Hand (31% in)
  • —and at a time when he was more than ever conscious of being something better than a fool?
    Book 5 — The Dead Hand (37% in)
  • It was not only that he was unwilling to entertain thoughts which could be accused of baseness, and was already uneasy in the sense that he had to justify himself from the charge of ingratitude—the latent consciousness of many other barriers between himself and Dorothea besides the existence of her husband, had helped to turn away his imagination from speculating on what might befall Mr. Casaubon.
    Book 5 — The Dead Hand (38% in)
  • What others might have called the futility of his passion, made an additional delight for his imagination: he was conscious of a generous movement, and of verifying in his own experience that higher love-poetry which had charmed his fancy.
    Book 5 — The Dead Hand (39% in)
  • No, I am not conscious of undue excitement.
    Book 5 — The Dead Hand (46% in)
  • But Mr. Brooke had been right in predicting that Dorothea would not long remain passive where action had been assigned to her; she knew the purport of her husband's will made at the time of their marriage, and her mind, as soon as she was clearly conscious of her position, was silently occupied with what she ought to do as the owner of Lowick Manor with the patronage of the living attached to it.
    Book 5 — The Dead Hand (56% in)
  • She might have compared her experience at that moment to the vague, alarmed consciousness that her life was taking on a new form that she was undergoing a metamorphosis in which memory would not adjust itself to the stirring of new organs.
    Book 5 — The Dead Hand (59% in)
  • Then again she was conscious of another change which also made her tremulous; it was a sudden strange yearning of heart towards Will Ladislaw.
    Book 5 — The Dead Hand (59% in)
  • It had never before entered her mind that he could, under any circumstances, be her lover: conceive the effect of the sudden revelation that another had thought of him in that light—that perhaps he himself had been conscious of such a possibility,—and this with the hurrying, crowding vision of unfitting conditions, and questions not soon to be solved.
    Book 5 — The Dead Hand (59% in)
  • We should not grieve, should we, baby?" said Celia confidentially to that unconscious centre and poise of the world, who had the most remarkable fists all complete even to the nails, and hair enough, really, when you took his cap off, to make—you didn't know what:—in short, he was Bouddha in a Western form.
    Book 5 — The Dead Hand (60% in)
  • He was a little conscious of defeat, however, with Mr. Mawmsey, a chief representative in Middlemarch of that great social power, the retail trader, and naturally one of the most doubtful voters in the borough—willing for his own part to supply an equal quality of teas and sugars to reformer and anti-reformer, as well as to agree impartially with both, and feeling like the burgesses of old that this necessity of electing members was a great burthen to a town; for even if there were no...
    Book 5 — The Dead Hand (68% in)
  • Mr. Brooke, conscious of having weakened the blasts of the "Trumpet" against him, by his reforms as a landlord in the last half year, and hearing himself cheered a little as he drove into the town, felt his heart tolerably light under his buff-colored waistcoat.
    Book 5 — The Dead Hand (71% in)
  • Mr. Brooke himself was not in a position to be quickly conscious of anything except a general slipping away of ideas within himself: he had even a little singing in the ears, and he was the only person who had not yet taken distinct account of the echo or discerned the image of himself.
    Book 5 — The Dead Hand (74% in)
  • Miss Noble nodded at her nephew with a subdued half-frightened laugh, conscious of having already dropped an additional lump of sugar into her basket on the strength of the new preferment.
    Book 5 — The Dead Hand (79% in)
  • Mr. Bulstrode was conscious of being in a good spiritual frame and more than usually serene, under the influence of his innocent recreation.
    Book 5 — The Dead Hand (90% in)
  • "But not when he tells any ugly-looking truth about you," said discerning consciousness.
    Book 5 — The Dead Hand (97% in)
  • That action of memory which he had tried to set going, and had abandoned in despair, had suddenly completed itself without conscious effort—a common experience, agreeable as a completed sneeze, even if the name remembered is of no value.
    Book 5 — The Dead Hand (**% in)
  • "Not if it had been like Casaubon," said Sir James, conscious of some indirectness in his answer, and of holding a strictly private opinion as to the perfections of his first-born.
    Book 6 — The Widow and Wife (1% in)
  • It had seemed to him as if they were like two creatures slowly turning to marble in each other's presence, while their hearts were conscious and their eyes were yearning.
    Book 6 — The Widow and Wife (9% in)
  • And to her the consciousness of having exceeded in words was peculiarly mortifying.
    Book 6 — The Widow and Wife (38% in)
  • She was unpleasantly conscious that she had been on the verge of speaking as "one of the foolish women speaketh"—telling first and entreating silence after.
    Book 6 — The Widow and Wife (39% in)
  • Notwithstanding his trust in Mr. Farebrother's generosity, notwithstanding what Mary had said to him, Fred could not help feeling that he had a rival: it was a new consciousness, and he objected to it extremely, not being in the least ready to give up Mary for her good, being ready rather to fight for her with any man whatsoever.
    Book 6 — The Widow and Wife (40% in)
  • She was so intensely conscious of having a cousin who was a baronet's son staying in the house, that she imagined the knowledge of what was implied by his presence to be diffused through all other minds; and when she introduced Captain Lydgate to her guests, she had a placid sense that his rank penetrated them as if it had been an odor.
    Book 6 — The Widow and Wife (44% in)
  • Lydgate was much worried, and conscious of new elements in his life as noxious to him as an inlet of mud to a creature that has been used to breathe and bathe and dart after its illuminated prey in the clearest of waters.
    Book 6 — The Widow and Wife (49% in)
  • She put his hair lightly away from his forehead, then laid her other hand on his, and was conscious of forgiving him.
    Book 6 — The Widow and Wife (57% in)
  • Will was in a defiant mood, his consciousness being deeply stung with the thought that the people who looked at him probably knew a fact tantamount to an accusation against him as a fellow with low designs which were to be frustrated by a disposal of property.
    Book 6 — The Widow and Wife (67% in)
  • At that moment she would not have liked to say anything which implied her habitual consciousness that her husband's earlier connections were not quite on a level with her own.
    Book 6 — The Widow and Wife (77% in)
  • ...interruption save of brief sleep which only wove retrospect and fear into a fantastic present, he felt the scenes of his earlier life coming between him and everything else, as obstinately as when we look through the window from a lighted room, the objects we turn our backs on are still before us, instead of the grass and the trees The successive events inward and outward were there in one view: though each might be dwelt on in turn, the rest still kept their hold in the consciousness.
    Book 6 — The Widow and Wife (79% in)
  • And now, when this respectability had lasted undisturbed for nearly thirty years—when all that preceded it had long lain benumbed in the consciousness—that past had risen and immersed his thought as if with the terrible irruption of a new sense overburthening the feeble being.
    Book 6 — The Widow and Wife (83% in)
  • There may be coarse hypocrites, who consciously affect beliefs and emotions for the sake of gulling the world, but Bulstrode was not one of them.
    Book 6 — The Widow and Wife (83% in)
  • As Mrs. Kell closed the door behind her they met: each was looking at the other, and consciousness was overflowed by something that suppressed utterance.
    Book 6 — The Widow and Wife (94% in)
  • It was as if some hard icy pressure had melted, and her consciousness had room to expand: her past was come back to her with larger interpretation.
    Book 6 — The Widow and Wife (98% in)
  • When Lydgate was taking part in the conversation, she never looked towards him any more than if she had been a sculptured Psyche modelled to look another way: and when, after being called out for an hour or two, he re-entered the room, she seemed unconscious of the fact, which eighteen months before would have had the effect of a numeral before ciphers.
    Book 7 — Two Temptations (3% in)
  • In reality, however, she was intensely aware of Lydgate's voice and movements; and her pretty good-tempered air of unconsciousness was a studied negation by which she satisfied her inward opposition to him without compromise of propriety.
    Book 7 — Two Temptations (4% in)
  • But he was now a prey to that worst irritation which arises not simply from annoyances, but from the second consciousness underlying those annoyances, of wasted energy and a degrading preoccupation, which was the reverse of all his former purposes.
    Book 7 — Two Temptations (9% in)
  • Then flushing with an unpleasant consciousness, he asked— "How do you know?"
    Book 7 — Two Temptations (18% in)
  • Although her duplicity in the affair of the house had exceeded what he knew, and had really hindered the Plymdales from knowing of it, she had no consciousness that her action could rightly be called false.
    Book 7 — Two Temptations (30% in)
  • He had said to himself that the only winning he cared for must be attained by a conscious process of high, difficult combination tending towards a beneficent result.
    Book 7 — Two Temptations (32% in)
  • But the last thing likely to have entered Fred's expectation was that he should see his brother-in-law Lydgate—of whom he had never quite dropped the old opinion that he was a prig, and tremendously conscious of his superiority—looking excited and betting, just as he himself might have done.
    Book 7 — Two Temptations (36% in)
  • ...usually bright and careless, ready to give attention to anything that held out a promise of amusement, looking involuntarily grave and almost embarrassed as if by the sight of something unfitting; while Lydgate, who had habitually an air of self-possessed strength, and a certain meditativeness that seemed to lie behind his most observant attention, was acting, watching, speaking with that excited narrow consciousness which reminds one of an animal with fierce eyes and retractile claws.
    Book 7 — Two Temptations (37% in)
  • Lydgate, whose renewed hope about the Hospital only made him more conscious of the facts which poisoned his hope, felt that his effort after help, if made at all, must be made now and vigorously.
    Book 7 — Two Temptations (48% in)
  • But many of these misdeeds were like the subtle muscular movements which are not taken account of in the consciousness, though they bring about the end that we fix our mind on and desire.
    Book 7 — Two Temptations (52% in)
  • And it is only what we are vividly conscious of that we can vividly imagine to be seen by Omniscience.
    Book 7 — Two Temptations (52% in)
  • Bulstrode was only the more conscious that there was a deposit of uneasy presentiment in his wife's mind, because she carefully avoided any allusion to it.
    Book 7 — Two Temptations (54% in)
  • Raffles denied this with solemn adjurations; the fact being that the links of consciousness were interrupted in him, and that his minute terror-stricken narrative to Caleb Garth had been delivered under a set of visionary impulses which had dropped back into darkness.
    Book 7 — Two Temptations (64% in)
  • And he was conscious that Bulstrode had been a benefactor to him.
    Book 7 — Two Temptations (79% in)
  • They made more distinct within him the uneasy consciousness which had shown its first dim stirrings only a few hours before, that Bulstrode's motives for his sudden beneficence following close upon the chillest indifference might be merely selfish.
    Book 7 — Two Temptations (82% in)
  • With the reasons which kept Bulstrode in dread of Raffles there flashed the thought that the dread might have something to do with his munificence towards his medical man; and though he resisted the suggestion that it had been consciously accepted in any way as a bribe, he had a foreboding that this complication of things might be of malignant effect on Lydgate's reputation.
    Book 7 — Two Temptations (87% in)
  • But there is the terrible Nemesis following on some errors, that it is always possible for those who like it to interpret them into a crime: there is no proof in favor of the man outside his own consciousness and assertion.
    Book 8 — Sunset and Sunrise (2% in)
  • That was the uneasy corner of Lydgate's consciousness while he was reviewing the facts and resisting all reproach.
    Book 8 — Sunset and Sunrise (7% in)
  • Mrs. Bulstrode was not an object of dislike, and had never consciously injured any human being.
    Book 8 — Sunset and Sunrise (9% in)
  • She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her.
    Book 8 — Sunset and Sunrise (18% in)
  • Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire.
    Book 8 — Sunset and Sunrise (20% in)
  • But a deeper-lying consciousness that he was in fault made him restless, and the silence between them became intolerable to him; it was as if they were both adrift on one piece of wreck and looked away from each other.
    Book 8 — Sunset and Sunrise (25% in)
  • "Yes," she answered, laying down her work, which she had been carrying on with a languid semi-consciousness, most unlike her usual self.
    Book 8 — Sunset and Sunrise (26% in)
  • There was an underlying consciousness all the while that he should have to master this anger, and tell her everything, and convince her of the facts.
    Book 8 — Sunset and Sunrise (26% in)
  • He sat down again, and felt that he was recovering his old self in the consciousness that he was with one who believed in it.
    Book 8 — Sunset and Sunrise (31% in)
  • Bulstrode; gradually, in the relief of speaking, getting into a more thorough utterance of what had gone on in his mind—entering fully into the fact that his treatment of the patient was opposed to the dominant practice, into his doubts at the last, his ideal of medical duty, and his uneasy consciousness that the acceptance of the money had made some difference in his private inclination and professional behavior, though not in his fulfilment of any publicly recognized obligation.
    Book 8 — Sunset and Sunrise (32% in)
  • There are natures in which, if they love us, we are conscious of having a sort of baptism and consecration: they bind us over to rectitude and purity by their pure belief about us; and our sins become that worst kind of sacrilege which tears down the invisible altar of trust.
    Book 8 — Sunset and Sunrise (41% in)
  • Dorothea had observed the animus with which Will's part in the painful story had been recalled more than once; but she had uttered no word, being checked now, as she had not been formerly in speaking of Will, by the consciousness of a deeper relation between them which must always remain in consecrated secrecy.
    Book 8 — Sunset and Sunrise (42% in)
  • She found herself on the other side of the door without seeing anything remarkable, but immediately she heard a voice speaking in low tones which startled her as with a sense of dreaming in daylight, and advancing unconsciously a step or two beyond the projecting slab of a bookcase, she saw, in the terrible illumination of a certainty which filled up all outlines, something which made her pause, motionless, without self-possession enough to speak.
    Book 8 — Sunset and Sunrise (44% in)
  • What another nature felt in opposition to her own was being burnt and bitten into her consciousness.
    Book 8 — Sunset and Sunrise (48% in)
  • The poor thing had no force to fling out any passion in return; the terrible collapse of the illusion towards which all her hope had been strained was a stroke which had too thoroughly shaken her: her little world was in ruins, and she felt herself tottering in the midst as a lonely bewildered consciousness.
    Book 8 — Sunset and Sunrise (50% in)
  • ...of an answering smile, here within the vibrating bond of mutual speech, was the bright creature whom she had trusted—who had come to her like the spirit of morning visiting the dim vault where she sat as the bride of a worn-out life; and now, with a full consciousness which had never awakened before, she stretched out her arms towards him and cried with bitter cries that their nearness was a parting vision: she discovered her passion to herself in the unshrinking utterance of despair.
    Book 8 — Sunset and Sunrise (56% in)
  • In the chill hours of the morning twilight, when all was dim around her, she awoke—not with any amazed wondering where she was or what had happened, but with the clearest consciousness that she was looking into the eyes of sorrow.
    Book 8 — Sunset and Sunrise (57% in)
  • It was not in Dorothea's nature, for longer than the duration of a paroxysm, to sit in the narrow cell of her calamity, in the besotted misery of a consciousness that only sees another's lot as an accident of its own.
    Book 8 — Sunset and Sunrise (57% in)
  • And she had unconsciously laid her hand again on the little hand that she had pressed before.
    Book 8 — Sunset and Sunrise (65% in)
  • The fragile creature who was crying close to her—there might still be time to rescue her from the misery of false incompatible bonds; and this moment was unlike any other: she and Rosamond could never be together again with the same thrilling consciousness of yesterday within them both.
    Book 8 — Sunset and Sunrise (65% in)
  • Her immediate consciousness was one of immense sympathy without cheek; she cared for Rosamond without struggle now, and responded earnestly to her last words— "No, he cannot reproach you any more."
    Book 8 — Sunset and Sunrise (68% in)
  • Unhappily her mind slipped off it for a whole hour; and at the end she found herself reading sentences twice over with an intense consciousness of many things, but not of any one thing contained in the text.
    Book 8 — Sunset and Sunrise (75% in)
  • When the little lady had trotted away on her mission, Dorothea stood in the middle of the library with her hands falling clasped before her, making no attempt to compose herself in an attitude of dignified unconsciousness.
    Book 8 — Sunset and Sunrise (77% in)
  • What she was least conscious of just then was her own body: she was thinking of what was likely to be in Will's mind, and of the hard feelings that others had had about him.
    Book 8 — Sunset and Sunrise (77% in)
  • This was the consciousness that Bulstrode was withering under while he made his preparations for departing from Middlemarch, and going to end his stricken life in that sad refuge, the indifference of new faces.
    Book 8 — Sunset and Sunrise (93% in)

There are no more uses of "conscious" in Middlemarch.

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