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thus
used in Love's Labour's Lost

25 uses
  • Thus pour the stars down plagues for perjury.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (45% in)
  • Come on, then; I will swear to study so, To know the thing I am forbid to know, As thus: to study where I well may dine, When I to feast expressly am forbid; Or study where to meet some mistress fine, When mistresses from common sense are hid; Or, having sworn too hard-a-keeping oath, Study to break it, and not break my troth.
    1.1 — Act 1 Scene 1 — The King of Navarre's park (21% in)
  • If study's gain be thus, and this be so, Study knows that which yet it doth not know.
    1.1 — Act 1 Scene 1 — The King of Navarre's park (23% in)
  • Marry, thus much I have learnt; He rather means to lodge you in the field, Like one that comes here to besiege his court, Than seek a dispensation for his oath, To let you enter his unpeeled house.
    2.1 — Act 2 Scene 1 — The King of Navarre's park. A pavilion.... (31% in)
  • True, and I for a plantain: thus came your argument in; Then the boy's fat l'envoy, the goose that you bought; And he ended the market.
    3.1 — Act 3 Scene 1 — The King of Navarre's park (53% in)
  • Thus will I save my credit in the shoot: Not wounding, pity would not let me do't; If wounding, then it was to show my skill, That more for praise than purpose meant to kill.
    4.1 — Act 4 Scene 1 — The King of Navarre's park (18% in)
  • Thus, expecting thy reply, I profane my lips on thy foot, my eyes on thy picture, and my heart on thy every part.
    4.1 — Act 4 Scene 1 — The King of Navarre's park (54% in)
  • 'Thus dost thou hear the Nemean lion roar 'Gainst thee, thou lamb, that standest as his prey; Submissive fall his princely feet before, And he from forage will incline to play.
    4.1 — Act 4 Scene 1 — The King of Navarre's park (56% in)
  • ] Ah! good my liege, I pray thee pardon me: Good heart! what grace hast thou thus to reprove These worms for loving, that art most in love?
    4.3 — Act 4 Scene 3 — The same (40% in)
  • But are you not asham'd? nay, are you not, All three of you, to be thus much o'ershot?
    4.3 — Act 4 Scene 3 — The same (41% in)
  • Are we betrayed thus to thy over-view?
    4.3 — Act 4 Scene 3 — The same (45% in)
  • It is religion to be thus forsworn; For charity itself fulfils the law; And who can sever love from charity?
    4.3 — Act 4 Scene 3 — The same (94% in)
  • For what is inward between us, let it pass: I do beseech thee, remember thy courtsy; I beseech thee, apparel thy head: and among other importunate and most serious designs, and of great import indeed, too, but let that pass: for I must tell thee it will please his Grace, by the world, sometime to lean upon my poor shoulder, and with his royal finger thus dally with my excrement, with my mustachio: but, sweet heart, let that pass.
    5.1 — Act 5 Scene 1 — The King of Navarre's park (66% in)
  • Sweet hearts, we shall be rich ere we depart, If fairings come thus plentifully in.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (0% in)
  • Their herald is a pretty knavish page, That well by heart hath conn'd his embassage: Action and accent did they teach him there; 'Thus must thou speak' and 'thus thy body bear,' And ever and anon they made a doubt Presence majestical would put him out; 'For' quoth the King 'an angel shalt thou see; Yet fear not thou, but speak audaciously.'
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (11% in)
  • Their herald is a pretty knavish page, That well by heart hath conn'd his embassage: Action and accent did they teach him there; 'Thus must thou speak' and 'thus thy body bear,' And ever and anon they made a doubt Presence majestical would put him out; 'For' quoth the King 'an angel shalt thou see; Yet fear not thou, but speak audaciously.'
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (11% in)
  • One rubb'd his elbow, thus, and fleer'd, and swore A better speech was never spoke before.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (12% in)
  • They do, they do, and are apparell'd thus, Like Muscovites or Russians, as I guess.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (13% in)
  • No dance! thus change I like the moon.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (23% in)
  • How come you thus estranged?
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (24% in)
  • ] and might not you Forestall our sport, to make us thus untrue?
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (54% in)
  • 'Great Hercules is presented by this imp, Whose club kill'd Cerberus, that three-headed canis; And when he was a babe, a child, a shrimp, Thus did he strangle serpents in his manus.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (67% in)
  • Therefore, ladies, Our love being yours, the error that love makes Is likewise yours: we to ourselves prove false, By being once false for ever to be true To those that make us both,—fair ladies, you: And even that falsehood, in itself a sin, Thus purifies itself and turns to grace.
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (85% in)
  • SPRING I. When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then on every tree Mocks married men, for thus sings he, Cuckoo; Cuckoo, cuckoo: O, word of fear, Unpleasing to a married ear!
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (98% in)
  • When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men, for thus sings he: Cuckoo; Cuckoo, cuckoo: O, word of fear, Unpleasing to a married ear!
    5.2 — Act 5 Scene 2 — The same. Before the Princess's pavilion (98% in)

There are no more uses of "thus" in Love's Labour's Lost.

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