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therefore
used in Antony and Cleopatra

12 uses
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Definition
for that reason (what follows is so because of what was just said)
  • Nay, and most like:— You must not stay here longer,—your dismission Is come from Caesar; therefore hear it, Antony.
    1.1 — Act 1 Scene 1 — Alexandria. A Room in CLEOPATRA'S palace (46% in)
  • Dear goddess, hear that prayer of the people! for, as it is a heartbreaking to see a handsome man loose-wived, so it is a deadly sorrow to behold a foul knave uncuckolded: therefore, dear Isis, keep decorum, and fortune him accordingly!
    1.2 — Act 1 Scene 2 — Alexandria. Another Room in CLEOPATRA'S palace (36% in)
  • But, sir, forgive me; Since my becomings kill me, when they do not Eye well to you: your honour calls you hence; Therefore be deaf to my unpitied folly, And all the gods go with you! upon your sword Sit laurel victory! and smooth success Be strew'd before your feet!
    1.3 — Act 1 Scene 3 — Alexandria. A Room in CLEOPATRA'S palace (94% in)
  • You wrong this presence; therefore speak no more.
    2.2 — Act 2 Scene 2 — Rome. A Room in the House of LEPIDUS (46% in)
  • Therefore, O Antony, stay not by his side: Thy demon, that thy spirit which keeps thee, is Noble, courageous, high, unmatchable, Where Caesar's is not; but near him thy angel Becomes a fear, as being o'erpower'd: therefore Make space enough between you.
    2.3 — Act 2 Scene 3 — Rome. A Room in CAESAR'S House (45% in)
  • Therefore, O Antony, stay not by his side: Thy demon, that thy spirit which keeps thee, is Noble, courageous, high, unmatchable, Where Caesar's is not; but near him thy angel Becomes a fear, as being o'erpower'd: therefore Make space enough between you.
    2.3 — Act 2 Scene 3 — Rome. A Room in CAESAR'S House (54% in)
  • Most meet That first we come to words; and therefore have we Our written purposes before us sent; Which, if thou hast consider'd, let us know If 'twill tie up thy discontented sword, And carry back to Sicily much tall youth That else must perish here.
    2.6 — Act 2 Scene 6 — Near Misenum (5% in)
  • Leave me, I pray, a little: pray you now:— Nay, do so; for indeed I have lost command, Therefore I pray you:—I'll see you by and by.
    3.11 — Act 3 Scene 11 — Alexandria. A Room in the Palace (33% in)
  • To him again: tell him he wears the rose Of youth upon him; from which the world should note Something particular: his coins, ships, legions, May be a coward's; whose ministers would prevail Under the service of a child as soon As i' the command of Caesar: I dare him therefore To lay his gay comparisons apart, And answer me declin'd, sword against sword, Ourselves alone.
    3.13 — Act 3 Scene 13 — Alexandria. A Room in the Palace (13% in)
  • The scars upon your honour, therefore, he Does pity, as constrained blemishes, Not as deserv'd.
    3.13 — Act 3 Scene 13 — Alexandria. A Room in the Palace (31% in)
  • Be it known that we, the greatest, are misthought For things that others do; and when we fall We answer others' merits in our name, Are therefore to be pitied.
    5.2 — Act 5 Scene 2 — Alexandria. A Room in the Monument (49% in)
  • Therefore be cheer'd; Make not your thoughts your prisons: no, dear queen; For we intend so to dispose you as Yourself shall give us counsel.
    5.2 — Act 5 Scene 2 — Alexandria. A Room in the Monument (50% in)

There are no more uses of "therefore" in Antony and Cleopatra.

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