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used in
The Da Vinci Code
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Used in
The Da Vinci Code
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  • Aringarosa grumbled his hello and followed his host into the castle's foyer—a wideopen space whose decor was a graceless blend of Renaissance art and astronomy images.  (not reviewed by editor)

  • But it was straight ahead, to the east, through the archway, that Langdon could now see the monolithic Renaissance palace that had become the most famous art museum in the world.  (not reviewed by editor)

  • The controversial, neomodern glass pyramid designed by Chinese-born American architect I. M. Pei still evoked scorn from traditionalists who felt it destroyed the dignity of the Renaissance courtyard.  (not reviewed by editor)

  • French kings throughout the Renaissance were so convinced that anagrams held magic power that they appointed royal anagrammatists to help them make better decisions by analyzing words in important documents.  (not reviewed by editor)

  • Sophie wondered which of the fireside antiques she was supposed to sit on—the Renaissance velvet divan, the rustic eagle-claw rocker, or the pair of stone pews that looked like they'd been lifted from some Byzantine temple.  (not reviewed by editor)

  • Squinting at his surroundings he saw a plush Renaissance bedroom with Louis XVI furniture, hand-frescoed walls, and a colossal mahogany four-poster bed.  (not reviewed by editor)

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