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used in
The Picture of Dorian Gray by Oscar Wilde - (13 chapter version)
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Used in
The Picture of Dorian Gray by Oscar Wilde - (13 chapter version)
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  • A faded Flemish tapestry, a curtained picture, an old Italian cassone, and an almost empty bookcase,—that was all that it seemed to contain, besides a chair and a table.  (not reviewed by editor)

  • On the wall behind it was hanging the same ragged Flemish tapestry where a faded king and queen were playing chess in a garden, while a company of hawkers rode by, carrying hooded birds on their gauntleted wrists.  (not reviewed by editor)

  • Then he turned his attention to embroideries, and to the tapestries that performed the office of frescos in the chill rooms of the Northern nations of Europe.  (not reviewed by editor)

  • Over and over again Dorian used to read this fantastic chapter, and the chapter immediately following, in which the hero describes the curious tapestries that he had had woven for him from Gustave Moreau's designs, and on which were pictured the awful and beautiful forms of those whom Vice and Blood and Weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife, and painted her lips with a scarlet poison; Pietro Barbi, the Venetian, known as Paul the Second, who…  (not reviewed by editor)

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as in: the tapestry hangs in the museum
as in: the tapestry of my life
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