Emma was soon perfectly satisfied of Mr. Martin’s being no otherwise remembered, than as he furnished a contrast with Mr. Elton, of the utmost advantage to the latter.
Mr. Knightley, who had nothing of ceremony about him, was offering by his short, decided answers, an amusing contrast to the protracted apologies and civil hesitations of the other.
His appearance was very neat, and he looked like a sensible young man, but his person had no other advantage; and when he came to be contrasted with gentlemen, she thought he must lose all the ground he had gained in Harriet’s inclination.
No suspicious flourishes now of apology or concern; it was the language of real feeling towards Mrs. Weston; and the transition from Highbury to Enscombe, the contrast between the places in some of the first blessings of social life was just enough touched on to shew how keenly it was felt, and how much more might have been said but for the restraints of propriety.
The contrast between the countenance and air of Mr. Knightley and Robert Martin was, at this moment, so strong to Emma’s feelings, and so strong was the recollection of all that had so recently passed on Harriet’s side, so fresh the sound of those words, spoken with such emphasis, "No, I hope I know better than to think of Robert Martin," that she was really expecting the intelligence to prove, in some measure, premature.
The contrast between Mrs. Churchill’s importance in the world, and Jane Fairfax’s, struck her; one was every thing, the other nothing—and she sat musing on the difference of woman’s destiny, and quite unconscious on what her eyes were fixed, till roused by Miss Bates’s saying, "Aye, I see what you are thinking of, the pianoforte.