living at the same time
something occurring in the same period of time as something else
Levin found himself, like the majority of his contemporaries, in the vaguest position in regard to religion.
In her family’s eyes he had no ordinary, definite career and position in society, while his contemporaries by this time, when he was thirty-two, were already, one a colonel, and another a professor, another director of a bank and railways, or president of a board like Oblonsky.
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Leonardo da Vinci and Michelangelo were contemporary artists who competed for some projects.
And to say nothing of historical instances dating from the "Fair Helen" of Menelaus, recently revived in the memory of all, a whole list of contemporary examples of husbands with unfaithful wives in the highest society rose before Alexey Alexandrovitch’s imagination.
He was well acquainted with the way dilettanti have (the cleverer they were the worse he found them) of looking at the works of contemporary artists with the sole object of being in a position to say that art is a thing of the past, and that the more one sees of the new men the more one sees how inimitable the works of the great old masters have remained.
What was needed was to put in his place a fresh, capable, perfectly modern man, of contemporary ideas, and to frame their policy so as from the rights conferred upon the nobles, not as the nobility, but as an element of the district council, to extract all the powers of self-government that could possibly be derived from them.
Levin knew his brother and the workings of his intellect: he knew that his unbelief came not from life being easier for him without faith, but had grown up because step by step the contemporary scientific interpretation of natural phenomena crushed out the possibility of faith; and so he knew that his present return was not a legitimate one, brought about by way of the same working of his intellect, but simply a temporary, interested return to faith in a desperate hope of recovery.
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