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constant
in
A Portrait of the Artist as a Young Man
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constant
Used In
A Portrait of the Artist as a Young Man
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  • During the first part of the summer in Blackrock uncle Charles was Stephen’s constant companion.
  • He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld.
  • Trudging along the road or standing in some grimy wayside public house his elders spoke constantly of the subjects nearer their hearts, of Irish politics, of Munster and of the legends of their own family, to all of which Stephen lent an avid ear.
  • While his mind had been pursuing its intangible phantoms and turning in irresolution from such pursuit he had heard about him the constant voices of his father and of his masters, urging him to be a gentleman above all things and urging him to be a good catholic above all things.
  • A constant sense of this had remained with him up to the last year of his school life.
  • But he had been forewarned of the dangers of spiritual exaltation and did not allow himself to desist from even the least or lowliest devotion, striving also by constant mortification to undo the sinful past rather than to achieve a saintliness fraught with peril.
  • Terror is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the secret cause.
  • To merge his life in the common tide of other lives was harder for him than any fasting or prayer and it was his constant failure to do this to his own satisfaction which caused in his soul at last a sensation of spiritual dryness together with a growth of doubts and scruples.
  • Stephen went on: —Pity is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the human sufferer.
  • The rosaries, too, which he said constantly—for he carried his beads loose in his trousers’ pockets that he might tell them as he walked the streets—transformed themselves into coronals of flowers of such vague unearthly texture that they seemed to him as hueless and odourless as they were nameless.
  • To speak of these things and to try to understand their nature and, having understood it, to try slowly and humbly and constantly to express, to press out again, from the gross earth or what it brings forth, from sound and shape and colour which are the prison gates of our soul, an image of the beauty we have come to understand—that is art.

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  • The history of computers is a history of constant technological advancement.
  • She is in constant pain.

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